My practice engages in, and my work draws upon, an activity that the theorist and anthropologist Tim Ingold calls wayfaring.

When I am wayfaring, I am travelling without a map – actively and materially engaging with the landscape around me. I am interested in what surrounds me and I let that draw me through the environment. Wayfaring provides me with a constant source of cognitive and visual material and I am especially interested in ordinary and everyday things that repeat and vary such as hazard tape, road markings, graffiti as well as the architecture of doors, windows and gates.

The repetition and variation of the act of wayfaring – of putting one foot in front of another – and of the the things that I see, are reflected in the repetition and variation of my ceramic page compositions.